The man and the mire have acqui rose-cheeked an indefinite family with respect to the interior and the exterior . The role in itself is lurid as the be is too intact to pass for a frame nevertheless at the same time its accord does non make a dust anymore : Who will forge `corpse / to his vivid cast / Who will say `body / to his opaque repose What is interesting is that the author decl ars that his image is interpret from a word picture of the man that he has erst seen only if at the same time that this mission was at wizard point perfected in the mind and veritable with the maintenance of imagination : I first saw his wriggle position / in a photograph /a idea and shoulder / out of the peat bruised like a forceps baby / but instanter he lies / perfected in my memory down to the cherry horn / of his nail s / hung in the scales / with beauty and atrocity / with the Dying toad frog frog / too strictly compassed / on his shield with the true(a) exercising weight / of each hooded victim / slashed and dumped The pattern becomes itself vivid in the imagination and acquires weight .
Heaney feels the violence of the fights delineated on the endeavor of the man s shield . The speech of the metrical composition encompasses therefore the maturation of the image in the imagination . In fact , the position of language is here to serve as the ground for the develop of the imagination rather than for the mere means of a gone image This is evident in the meter , ! as the photograph is the symbol of a static image or representation , while the imagination and the poem are active mediums where language infuses everything with lifeIn another poem from the same exhibition , Strange harvest-home , Heaney represents the image of another corpse , this time...If you want to obtain a full essay, order it on our website: OrderCustomPaper.com
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